王蒙的山水画题材多以隐逸、静读、山居等为主，且每画“必置（ ）”，这也成为他隐逸山野、坐忘林泉的心迹表征。Wang Meng’s landscape paintings are mostly about seclusion, meditation, and mountain dwellings, and every painting “must have a ( ),” which is also a manifestation of his desire for seclusion in the mountains and wilderness, and forgetting the difference and opposition between self and the universe.